1
00:00:13,166 --> 00:00:14,667
[upbeat music]

2
00:00:22,458 --> 00:00:24,291
Good evening, dear audience.

3
00:00:24,709 --> 00:00:26,625
Today, in Confessions with Tomás,

4
00:00:26,750 --> 00:00:28,291
We have a guest...

5
00:00:28,917 --> 00:00:30,083
How to say it?

6
00:00:30,500 --> 00:00:31,667
Particular.

7
00:00:32,291 --> 00:00:35,208
She is a mother, a housewife,
businesswoman,

8
00:00:35,834 --> 00:00:37,000
and something else.

9
00:00:37,542 --> 00:00:39,542
With you the incomparable,

10
00:00:39,667 --> 00:00:41,791
Consuelo de Portillo Armendáriz.

11
00:00:41,792 --> 00:00:43,208
[cheers]

12
00:00:43,333 --> 00:00:44,749
[clinking]

13
00:00:44,750 --> 00:00:46,041
Tomás: Welcome, Consuelo.

14
00:00:46,166 --> 00:00:47,166
Consuelo: Thank you.

15
00:00:47,583 --> 00:00:49,959
Come in, please, make yourself comfortable.
Thank you.

16
00:00:51,875 --> 00:00:53,375
[upbeat music ends]

17
00:00:53,500 --> 00:00:54,499
consolation,

18
00:00:54,500 --> 00:00:57,290
unquestionably you are
the star of the moment.

19
00:00:57,291 --> 00:00:58,417
[Consuelo laughs]

20
00:00:58,917 --> 00:01:01,291
Everyone is dying to know
about your new double life.

21
00:01:02,250 --> 00:01:03,959
What was this
controversial decision?

22
00:01:05,583 --> 00:01:07,709
Well, I have a lover.

23
00:01:07,834 --> 00:01:09,082
[audience exclaims]

24
00:01:09,083 --> 00:01:10,333
[applause]

25
00:01:10,834 --> 00:01:12,583
And how do you feel about it?

26
00:01:13,542 --> 00:01:15,750
It has been one of the best
decisions of my entire life.

27
00:01:15,875 --> 00:01:17,667
Thomas:
Let's read a question from the audience.

28
00:01:18,709 --> 00:01:20,332
Let's see. Suspense.

29
00:01:20,333 --> 00:01:21,499
[Consuelo laughs]

30
00:01:21,500 --> 00:01:22,624
[tense music]

31
00:01:22,625 --> 00:01:24,750
Thomas:
It goes like this: "Is it difficult to find

32
00:01:24,875 --> 00:01:26,375
a place to have sex

33
00:01:26,834 --> 00:01:29,333
when anyone
Could I discover them?"

34
00:01:29,625 --> 00:01:31,791
No, we do it everywhere.

35
00:01:31,792 --> 00:01:33,041
In the office,

36
00:01:33,417 --> 00:01:35,624
in the gym bathroom,
in the car.

37
00:01:35,625 --> 00:01:36,750
[clinking]

38
00:01:36,875 --> 00:01:38,125
[audience exclaims]

39
00:01:39,542 --> 00:01:40,958
Tomás: Nothing more and nothing less,

40
00:01:40,959 --> 00:01:43,083
let's start
to talk about orgasms.

41
00:01:43,208 --> 00:01:44,207
[audience exclaims]

42
00:01:44,208 --> 00:01:45,792
From one to ten,

43
00:01:46,208 --> 00:01:47,666
What rating would you give it?

44
00:01:47,667 --> 00:01:50,250
Fernando to achieve
that you have orgasms?

45
00:01:52,875 --> 00:01:54,583
Ten, just because there is no eleven.

46
00:01:54,709 --> 00:01:55,959
[audience exclaims]

47
00:01:56,083 --> 00:01:57,166
[applause]

48
00:01:58,000 --> 00:01:59,125
Thomas: Consolation,

49
00:01:59,417 --> 00:02:01,291
And your husband?

50
00:02:01,417 --> 00:02:02,416
[audience exclaims]

51
00:02:02,417 --> 00:02:03,542
Zero.

52
00:02:04,291 --> 00:02:06,249
With him not even
I knew they existed.

53
00:02:06,250 --> 00:02:07,374
[laughs]

54
00:02:07,375 --> 00:02:08,792
[upbeat music]

55
00:02:10,083 --> 00:02:11,082
Olga: Consolation.

56
00:02:11,083 --> 00:02:12,291
[music ends]

57
00:02:12,417 --> 00:02:15,375
Consuelo, look at the map!

58
00:02:16,583 --> 00:02:17,666
[hesitates]

59
00:02:17,667 --> 00:02:20,000
It's here, it's here,
It's here, here.

60
00:02:20,917 --> 00:02:22,667
What were you thinking
What are you on the moon?

61
00:02:23,291 --> 00:02:25,709
I think someone
He has a lot to tell us.

62
00:02:26,667 --> 00:02:27,875
[upbeat music]

63
00:02:32,250 --> 00:02:33,332
[music ends]

64
00:02:33,333 --> 00:02:34,875
[intro music starts]

65
00:02:38,291 --> 00:02:39,625
[intro ends]

66
00:02:41,291 --> 00:02:43,375
Oh, you don't know how much
I wish you were here,

67
00:02:44,291 --> 00:02:45,834
but someone has
to take care of the children,

68
00:02:45,959 --> 00:02:47,750
you see that his dad
he likes to get them drunk.

69
00:02:48,375 --> 00:02:50,083
Matilde: You'll see.
that they are going to do very well.

70
00:02:51,000 --> 00:02:52,458
By the way, I had to tell you,

71
00:02:52,959 --> 00:02:55,166
Carlitos is taking out
the boxes to sell.

72
00:02:55,291 --> 00:02:56,375
More boxes?

73
00:02:57,125 --> 00:02:58,709
Who are you selling them to?

74
00:02:59,667 --> 00:03:01,375
[whispers]
It's here, I'll talk to you later, goodbye.

75
00:03:03,792 --> 00:03:05,000
Carlos Julio:
What do you know about Consuelo?

76
00:03:06,041 --> 00:03:07,959
It's not in the pastry shop,
is he here in the house?

77
00:03:08,667 --> 00:03:10,417
left very early
and he didn't tell me anything.

78
00:03:10,834 --> 00:03:11,917
Carlos Julio:
But how come he didn't say?

79
00:03:12,625 --> 00:03:14,749
I guess,
So it's a coincidence

80
00:03:14,750 --> 00:03:16,959
that none of his
friends are at work.

81
00:03:17,083 --> 00:03:18,500
[upbeat music]

82
00:03:21,667 --> 00:03:22,834
[music ends]

83
00:03:22,959 --> 00:03:24,000
Good afternoon, ladies.

84
00:03:24,125 --> 00:03:25,333
women: Good afternoon.

85
00:03:25,917 --> 00:03:28,249
Would you like to be owners
of your own income

86
00:03:28,250 --> 00:03:30,250
and not have to give up
do you tell anyone?

87
00:03:31,000 --> 00:03:32,291
[women nodding]

88
00:03:34,417 --> 00:03:35,959
I know they are afraid
to work.

89
00:03:37,208 --> 00:03:39,750
They feel that they are going to neglect
to their families, to their homes,

90
00:03:40,375 --> 00:03:41,583
to their husbands...

91
00:03:42,375 --> 00:03:43,959
I understand them,
I have three children.

92
00:03:45,667 --> 00:03:46,834
But believe me,

93
00:03:47,333 --> 00:03:48,542
that with us,

94
00:03:49,583 --> 00:03:51,542
not only will they continue
being good housewives,

95
00:03:51,667 --> 00:03:54,041
good mothers and good wives,
but also,

96
00:03:54,542 --> 00:03:55,875
working women.

97
00:04:00,000 --> 00:04:03,457
Excuse me, are we going to sell
vacuum cleaners or encyclopedias?

98
00:04:03,458 --> 00:04:04,709
[tense music]

99
00:04:05,041 --> 00:04:05,999
[hesitates]

100
00:04:06,000 --> 00:04:07,166
[clears throat]

101
00:04:07,750 --> 00:04:09,000
Neither of them.

102
00:04:10,083 --> 00:04:11,250
Let's do something.

103
00:04:11,834 --> 00:04:13,000
Close your eyes.

104
00:04:14,959 --> 00:04:17,208
Do you remember the first
time they kissed you?

105
00:04:18,041 --> 00:04:19,207
[romantic music]

106
00:04:19,208 --> 00:04:21,208
That new feeling

107
00:04:22,083 --> 00:04:23,667
what they felt
all over the body?

108
00:04:25,041 --> 00:04:27,375
Well, with our product

109
00:04:27,875 --> 00:04:30,291
they will be able to have that
sensation multiplied by a thousand.

110
00:04:31,458 --> 00:04:33,500
So they're not going to own it
only from your own money,

111
00:04:33,959 --> 00:04:35,541
but also
of his own pleasure.

112
00:04:35,542 --> 00:04:36,833
[women exclaim]

113
00:04:36,834 --> 00:04:38,208
[music ends]

114
00:04:39,166 --> 00:04:40,667
Who here knows
what is an orgasm?

115
00:04:42,083 --> 00:04:43,208
Raise your hand.

116
00:04:46,083 --> 00:04:48,417
Well these days
we are going to teach them

117
00:04:48,542 --> 00:04:49,959
how to achieve an orgasm,

118
00:04:50,333 --> 00:04:51,917
something they never taught us,

119
00:04:53,083 --> 00:04:55,291
something of which very
few doctors speak,

120
00:04:55,417 --> 00:04:57,375
and that information is not
you find in any magazine.

121
00:04:58,917 --> 00:04:59,959
Oh well.

122
00:05:03,500 --> 00:05:05,125
I'm not going to have them anymore
waiting longer.

123
00:05:05,458 --> 00:05:07,792
Ladies and gentlemen,

124
00:05:08,542 --> 00:05:09,709
I present to you...

125
00:05:10,917 --> 00:05:12,291
the female massager.

126
00:05:12,417 --> 00:05:13,374
[women exclaim]

127
00:05:13,375 --> 00:05:14,458
[music]

128
00:05:14,583 --> 00:05:16,000
woman 1: But that seems...

129
00:05:22,291 --> 00:05:23,542
[music ends]

130
00:05:25,083 --> 00:05:26,208
[music]

131
00:05:41,458 --> 00:05:42,750
[music continues]

132
00:05:48,458 --> 00:05:50,291
Nobody had kissed me like you.

133
00:05:51,625 --> 00:05:53,333
you're going to have
to talk to my dad.

134
00:05:53,458 --> 00:05:54,416
So that?

135
00:05:54,417 --> 00:05:56,416
To tell him that we are boyfriends.

136
00:05:56,417 --> 00:05:57,583
[music ends]

137
00:05:58,125 --> 00:05:59,249
[Andrés thinks]

138
00:05:59,250 --> 00:06:01,667
Are we boyfriends?

139
00:06:04,291 --> 00:06:06,834
Let's see, I'm a decent girl.

140
00:06:07,500 --> 00:06:09,125
You have to go, ask their permission,

141
00:06:09,542 --> 00:06:11,082
Tell them about your intentions.

142
00:06:11,083 --> 00:06:12,875
Nothing more is to tell them
that your intentions

143
00:06:13,000 --> 00:06:14,917
They are serious with me,
that we are not playing.

144
00:06:15,834 --> 00:06:17,083
Because it is like that, right?

145
00:06:17,834 --> 00:06:19,542
Yes of course.

146
00:06:19,667 --> 00:06:22,709
My intentions are
very serious with you.

147
00:06:24,208 --> 00:06:26,208
Am I punished and I didn't find out?

148
00:06:26,333 --> 00:06:28,500
Or why did they leave me
eating alone?

149
00:06:29,542 --> 00:06:30,791
[Matilde exclaims]

150
00:06:30,792 --> 00:06:32,624
Well, your mom is working,

151
00:06:32,625 --> 00:06:35,500
Andresito got on
with that Monica,

152
00:06:36,250 --> 00:06:37,542
and your dad, well...

153
00:06:37,667 --> 00:06:39,041
I hate this family!

154
00:06:39,583 --> 00:06:40,875
Since my dad came back

155
00:06:41,000 --> 00:06:42,500
everyone is on their own side

156
00:06:42,875 --> 00:06:45,290
and when
We are together, fights and fights.

157
00:06:45,291 --> 00:06:48,000
Matilde: Oh Ceci,
Don't shy away from me, my love.

158
00:06:48,291 --> 00:06:49,583
Your mom arrives in a few days

159
00:06:49,709 --> 00:06:51,166
and everything will be
same as always.

160
00:06:53,375 --> 00:06:54,457
[upbeat music]

161
00:06:54,458 --> 00:06:55,709
So...

162
00:06:56,500 --> 00:06:58,291
I am without
adults supervising me,

163
00:06:58,875 --> 00:07:01,375
and whatever you do,
They can't scold me.

164
00:07:01,834 --> 00:07:03,833
Cecilia, no, I'm...
Excellent!

165
00:07:03,834 --> 00:07:05,375
Matilde: Cecilia, come eat.

166
00:07:05,583 --> 00:07:06,666
Damn!

167
00:07:06,667 --> 00:07:07,791
[music ends]

168
00:07:07,792 --> 00:07:09,125
[indistinct dialogue]

169
00:07:10,500 --> 00:07:11,709
[music]

170
00:07:14,208 --> 00:07:15,708
Bring me 50 more boxes.

171
00:07:15,709 --> 00:07:17,333
Everything else has already been sold.

172
00:07:17,709 --> 00:07:19,375
Fifty?
Yes.

173
00:07:20,542 --> 00:07:22,917
I am very glad that our
business is progressing.

174
00:07:23,250 --> 00:07:24,709
Today I bring you this.

175
00:07:25,208 --> 00:07:26,458
Excellent.

176
00:07:28,750 --> 00:07:30,541
you could make me

177
00:07:30,542 --> 00:07:32,291
a preview of
money, if possible?

178
00:07:33,917 --> 00:07:35,208
We don't give advances here.

179
00:07:35,792 --> 00:07:38,333
When everything is sold,
we do accounts.

180
00:07:39,083 --> 00:07:40,166
Any objections?

181
00:07:41,291 --> 00:07:43,333
No, of course not.

182
00:07:44,041 --> 00:07:45,458
Perfect, perfect.
There is no problem.

183
00:07:45,792 --> 00:07:47,291
This is the good one.

184
00:07:47,583 --> 00:07:49,041
[laughs]

185
00:07:50,834 --> 00:07:53,542
[sighs] Everything is coming out
wonderfully well.

186
00:07:54,583 --> 00:07:57,583
And because she is the organizer,
They gave me the presidential suite.

187
00:07:57,709 --> 00:07:59,125
A huge bed,

188
00:07:59,709 --> 00:08:01,125
and a bathroom with a tub

189
00:08:01,250 --> 00:08:02,792
where two could
fit perfectly.

190
00:08:03,500 --> 00:08:05,499
It is a crime that you are
in that room without me.

191
00:08:05,500 --> 00:08:06,625
Consuelo: You don't know.
all things

192
00:08:06,750 --> 00:08:07,750
that I've been imagining.

193
00:08:07,875 --> 00:08:09,583
Candles, wine...

194
00:08:10,125 --> 00:08:11,875
and a lot
time between the sheets.

195
00:08:12,333 --> 00:08:13,917
Fernando:
I would like to be exploring

196
00:08:14,542 --> 00:08:16,834
everything that can be done
in that room with you.

197
00:08:17,166 --> 00:08:18,874
Oh, I don't want to be
so long without you.

198
00:08:18,875 --> 00:08:20,333
[romantic music]

199
00:08:20,458 --> 00:08:22,667
It's good to miss each other
from time to time.

200
00:08:23,166 --> 00:08:24,500
And when we see each other,

201
00:08:24,625 --> 00:08:26,208
It's going to be so delicious.

202
00:08:26,667 --> 00:08:28,625
You don't know everything
What am I going to do to you?

203
00:08:29,959 --> 00:08:32,417
I'm already thinking of ways
more creative to miss you.

204
00:08:38,250 --> 00:08:39,290
[moans]

205
00:08:39,291 --> 00:08:40,959
[music continues]

206
00:08:46,208 --> 00:08:47,458
[moans]

207
00:08:52,250 --> 00:08:53,290
[knock on the door]

208
00:08:53,291 --> 00:08:54,375
[music ends]

209
00:08:54,500 --> 00:08:55,667
Olga: Consolation.

210
00:08:56,625 --> 00:08:58,916
consolation,
The talk is going to start,

211
00:08:58,917 --> 00:09:00,166
They are waiting for us.

212
00:09:00,291 --> 00:09:02,041
[sighs] I have to go.

213
00:09:02,166 --> 00:09:03,291
[music]

214
00:09:03,875 --> 00:09:04,958
Shall we talk to you later?

215
00:09:04,959 --> 00:09:06,249
Fernando:
We have a pending issue.

216
00:09:06,250 --> 00:09:07,417
Several, in fact.

217
00:09:13,250 --> 00:09:14,290
[music decreases]

218
00:09:14,291 --> 00:09:15,791
Martha: Love, did you leave early?

219
00:09:15,792 --> 00:09:17,457
I'm already making you dinner,
I went to get yarn.

220
00:09:17,458 --> 00:09:19,375
We have a visitor, love.
Visit? Who?

221
00:09:19,500 --> 00:09:20,500
Peter: Yes.

222
00:09:22,917 --> 00:09:24,916
man 1: Hello,
lady of Rivapalacios.

223
00:09:24,917 --> 00:09:26,208
[tense music]

224
00:09:26,333 --> 00:09:27,333
What...?

225
00:09:27,709 --> 00:09:29,750
What a surprise, having him here.

226
00:09:30,250 --> 00:09:31,959
I came to talk
from an article he wrote.

227
00:09:34,041 --> 00:09:36,583
The one he sent me a few years ago
months to Panchita magazine.

228
00:09:36,709 --> 00:09:37,750
Oh yes.

229
00:09:38,458 --> 00:09:40,959
Before we get married,
she read all his editions.

230
00:09:42,208 --> 00:09:43,417
Would you like something to drink?

231
00:09:43,709 --> 00:09:44,750
A cognac, please.

232
00:09:44,875 --> 00:09:45,833
Perfect.

233
00:09:45,834 --> 00:09:46,999
man 1: Thank you.

234
00:09:47,000 --> 00:09:48,333
[music continues]

235
00:09:54,083 --> 00:09:55,917
It only takes one second to collapse

236
00:09:56,041 --> 00:09:57,958
this life of a queen, Marthita.

237
00:09:57,959 --> 00:09:59,375
What do you want?

238
00:10:00,542 --> 00:10:02,124
man 1: Take it back
from the shitty article

239
00:10:02,125 --> 00:10:03,499
What you wrote about me.

240
00:10:03,500 --> 00:10:04,917
Otherwise, well,

241
00:10:05,417 --> 00:10:06,666
your husband is going to find out

242
00:10:06,667 --> 00:10:08,709
what do you work
in Confidences magazine.

243
00:10:09,375 --> 00:10:10,709
And by the way,

244
00:10:11,583 --> 00:10:14,791
the relationship so close
with your boss.

245
00:10:14,792 --> 00:10:16,583
What are you talking about?
Where did he get that from?

246
00:10:16,959 --> 00:10:18,458
man 1:
I have sources everywhere.

247
00:10:18,583 --> 00:10:20,082
I find out everything.

248
00:10:20,083 --> 00:10:22,125
That's what journalists do.

249
00:10:22,709 --> 00:10:23,834
The real ones,

250
00:10:24,417 --> 00:10:26,291
not rich little girls
doing what they are not.

251
00:10:26,583 --> 00:10:27,583
Pedro: Cognac?

252
00:10:28,458 --> 00:10:29,833
man 1: Thank you very much,
Mr. Rivapalacios.

253
00:10:29,834 --> 00:10:31,250
With pleasure.
Listen.

254
00:10:31,583 --> 00:10:33,416
What a lovely couple.

255
00:10:33,417 --> 00:10:36,458
worthy of a
magazine cover.

256
00:10:39,625 --> 00:10:40,709
[music ends]

257
00:10:41,083 --> 00:10:42,125
[phone]

258
00:10:42,250 --> 00:10:43,458
Matilda!

259
00:10:43,583 --> 00:10:44,625
[sighs]

260
00:10:44,750 --> 00:10:45,959
[phone]

261
00:10:48,834 --> 00:10:50,625
Residence
of the Portillo family.

262
00:10:50,917 --> 00:10:52,916
Mr. Carlos Julio, I am Luisa.

263
00:10:52,917 --> 00:10:54,291
Can I talk to Andrés?

264
00:10:55,041 --> 00:10:56,083
Andrés is not there.

265
00:10:56,834 --> 00:10:58,708
Luisa: Ah, well,
Can you tell him that I called him?

266
00:10:58,709 --> 00:11:00,249
and I'm going to...

267
00:11:00,250 --> 00:11:02,291
Notice that he went to see
to his girlfriend.

268
00:11:02,417 --> 00:11:03,500
It sure takes a while.

269
00:11:03,625 --> 00:11:04,625
Luisa: His girlfriend?

270
00:11:07,667 --> 00:11:10,207
Lucrecia: They weren't enough for me.
the sheets to write down

271
00:11:10,208 --> 00:11:12,750
to all the saleswomen who
They were eager to get started.

272
00:11:14,709 --> 00:11:16,541
I think we deserve
a recognition.

273
00:11:16,542 --> 00:11:17,958
No.

274
00:11:17,959 --> 00:11:19,249
Lucrecia: Who votes?
for a bottle of champagne?

275
00:11:19,250 --> 00:11:21,125
No, no, no,
Don't claim victory yet.

276
00:11:21,250 --> 00:11:23,667
This morning Carlos Julio
He went to take out more boxes.

277
00:11:23,792 --> 00:11:25,000
He's moving too.

278
00:11:25,125 --> 00:11:26,291
And who do you tell them to?
are you selling?

279
00:11:26,417 --> 00:11:27,458
I have no idea.

280
00:11:27,959 --> 00:11:29,250
Or he wants to intimidate us,

281
00:11:30,375 --> 00:11:31,458
or we have the advantage.

282
00:11:31,583 --> 00:11:33,834
With the saleswomen who
let's recruit this weekend,

283
00:11:33,959 --> 00:11:35,916
we not only achieve it,
but we beat him.

284
00:11:35,917 --> 00:11:37,333
For now I insist,

285
00:11:37,458 --> 00:11:39,709
who dares to go for
a bottle of champagne?

286
00:11:39,959 --> 00:11:41,166
It wasn't bad at all, right?

287
00:11:41,542 --> 00:11:42,999
I don't know if I'm going to accompany them,

288
00:11:43,000 --> 00:11:44,458
The truth is I'm very tired.

289
00:11:46,125 --> 00:11:47,250
Are you sure?

290
00:11:47,709 --> 00:11:48,958
toast with champagne
It's good luck.

291
00:11:48,959 --> 00:11:50,500
Yes, it is that,

292
00:11:51,041 --> 00:11:52,583
the truth is I have to
make some calls.

293
00:11:53,000 --> 00:11:54,166
[upbeat music]

294
00:11:59,834 --> 00:12:01,250
[music increases]

295
00:12:10,291 --> 00:12:12,250
[phone line rings]

296
00:12:21,083 --> 00:12:22,458
[knock on the door]

297
00:12:23,000 --> 00:12:24,166
[music ends]

298
00:12:26,208 --> 00:12:27,291
[sighs]

299
00:12:29,875 --> 00:12:31,500
Lucrecia, even if we have to...

300
00:12:32,417 --> 00:12:34,165
I think we have
a pending talk

301
00:12:34,166 --> 00:12:36,125
and many fantasies to fulfill.

302
00:12:38,917 --> 00:12:40,208
[upbeat music]

303
00:12:42,041 --> 00:12:43,291
[laughs]

304
00:12:46,291 --> 00:12:47,500
[Consuelo moans]

305
00:12:53,041 --> 00:12:54,500
[music increases]

306
00:13:03,500 --> 00:13:04,458
[music ends]

307
00:13:04,583 --> 00:13:05,625
Matilda,

308
00:13:06,166 --> 00:13:07,625
why don't you do
good your work,

309
00:13:07,750 --> 00:13:09,375
instead of overlapping
to Consuelo?

310
00:13:22,834 --> 00:13:23,959
[upbeat music]

311
00:13:31,917 --> 00:13:33,333
Ah, gee.

312
00:13:38,750 --> 00:13:39,875
[music increases]

313
00:13:42,542 --> 00:13:43,750
woman 2: Well?

314
00:13:43,875 --> 00:13:45,375
Charlotte, beautiful,

315
00:13:46,250 --> 00:13:48,208
you know what you are
the owner of my heart.

316
00:13:49,000 --> 00:13:51,125
See you in the
usual hotel or...?

317
00:13:51,250 --> 00:13:52,542
[phone line rings]

318
00:13:53,250 --> 00:13:54,458
[music continues]

319
00:13:55,542 --> 00:13:56,667
man 2: Well?

320
00:13:57,208 --> 00:13:58,834
Villanueva family house.

321
00:13:59,917 --> 00:14:02,083
Speak at once, I am
listening to his breathing.

322
00:14:02,583 --> 00:14:04,834
Excuse me,
I had the wrong number.

323
00:14:04,959 --> 00:14:06,792
kiss me

324
00:14:07,083 --> 00:14:09,709
kiss me a lot

325
00:14:10,166 --> 00:14:13,291
As if it were
tonight the last...

326
00:14:13,417 --> 00:14:14,667
[phone line rings]

327
00:14:16,333 --> 00:14:17,750
[music continues]

328
00:14:19,625 --> 00:14:21,166
Alma, please.

329
00:14:21,291 --> 00:14:23,250
Listen to me, don't hang up on me.

330
00:14:23,834 --> 00:14:25,583
Things changed for the better.

331
00:14:25,917 --> 00:14:28,124
Let's see you and me alone,

332
00:14:28,125 --> 00:14:29,792
let me explain to you
what happened.

333
00:14:32,250 --> 00:14:33,542
[music ends]

334
00:14:33,667 --> 00:14:35,750
Has your husband never
taught you to drink?

335
00:14:36,542 --> 00:14:37,625
No.

336
00:14:38,583 --> 00:14:41,250
He just left me
drink on special occasions.

337
00:14:41,625 --> 00:14:42,791
And half a glass, if that.

338
00:14:42,792 --> 00:14:44,333
And you who paid attention to him.

339
00:14:45,208 --> 00:14:46,333
[Olga nods]

340
00:14:46,834 --> 00:14:48,208
He had his character.

341
00:14:49,834 --> 00:14:51,875
Still, I still miss him,

342
00:14:52,000 --> 00:14:54,625
we had wonderful moments.

343
00:14:57,333 --> 00:14:59,083
That's old Olga talking.

344
00:15:00,333 --> 00:15:03,166
The new Olga
He has memories, yes,

345
00:15:03,583 --> 00:15:05,667
but he has a life ahead of him.

346
00:15:06,834 --> 00:15:09,959
A life to enjoy
of its honeys and its pleasures.

347
00:15:11,709 --> 00:15:14,040
Like with that man
who is sitting there,

348
00:15:14,041 --> 00:15:15,666
that has not stopped
see you all night

349
00:15:15,667 --> 00:15:17,040
and that is not bad at all.

350
00:15:17,041 --> 00:15:18,333
[music]

351
00:15:24,583 --> 00:15:25,792
Lucrecia, it's a boy.

352
00:15:26,542 --> 00:15:28,333
Lucrecia: I assure you that that
He no longer plays with marbles.

353
00:15:30,959 --> 00:15:31,958
[music ends]

354
00:15:31,959 --> 00:15:33,709
[phone line rings]

355
00:15:33,834 --> 00:15:35,166
[breathing heavily]

356
00:15:46,125 --> 00:15:48,166
Hey, what else
do you have fantasies?

357
00:15:49,750 --> 00:15:51,667
I want to do it
on a washing machine.

358
00:15:52,625 --> 00:15:54,541
I know, I know it sounds strange,

359
00:15:54,542 --> 00:15:57,666
but he comes in there
movement and vibration,

360
00:15:57,667 --> 00:15:59,917
I don't know, I've learned a lot
about massagers.

361
00:16:00,625 --> 00:16:02,709
Of course, yes, yes,
yes, yes, I imagine.

362
00:16:04,083 --> 00:16:06,000
Well, what do you think if
Let's go to the laundry.

363
00:16:06,291 --> 00:16:08,458
Don't be saying that.

364
00:16:13,125 --> 00:16:14,374
Well, it's your turn.

365
00:16:14,375 --> 00:16:15,541
That?

366
00:16:15,542 --> 00:16:18,333
What would be your fantasy?
Dr. Palomares?

367
00:16:19,792 --> 00:16:20,792
[thinks]

368
00:16:20,917 --> 00:16:22,083
[music]

369
00:16:22,208 --> 00:16:23,500
Are you sure?

370
00:16:29,583 --> 00:16:30,667
That?

371
00:16:31,625 --> 00:16:32,667
[music decreases]

372
00:16:32,792 --> 00:16:33,959
Health.
men: Health.

373
00:16:34,959 --> 00:16:38,166
It is that our product
is going to revolutionize the world,

374
00:16:38,792 --> 00:16:40,249
because let's see, tell me,

375
00:16:40,250 --> 00:16:42,583
what can
be more attractive than pleasure?

376
00:16:44,709 --> 00:16:46,417
And what does the beautiful lady think?

377
00:16:47,625 --> 00:16:50,542
Are there other ways
to achieve that pleasure

378
00:16:51,583 --> 00:16:55,166
that do not include only
the use of your product?

379
00:16:55,291 --> 00:16:56,417
[music increases]

380
00:17:01,917 --> 00:17:03,040
[music ends]

381
00:17:03,041 --> 00:17:04,500
[sighs] You can do it.

382
00:17:05,458 --> 00:17:06,625
It's not that difficult.

383
00:17:17,125 --> 00:17:18,542
[exhales]

384
00:17:27,917 --> 00:17:29,125
[music]

385
00:17:55,166 --> 00:17:56,375
[glass breaks]

386
00:17:59,375 --> 00:18:00,625
[music continues]

387
00:18:08,875 --> 00:18:10,166
[laughs]

388
00:18:20,041 --> 00:18:21,458
[they exclaim]

389
00:18:26,750 --> 00:18:28,208
[music continues]

390
00:18:41,250 --> 00:18:42,709
[Consuelo laughs]

391
00:18:44,834 --> 00:18:46,374
[music ends]

392
00:18:46,375 --> 00:18:47,834
[birds chirp]

393
00:18:56,709 --> 00:18:57,875
[upbeat music]

394
00:19:17,792 --> 00:19:19,375
[music continues]

395
00:19:34,417 --> 00:19:35,959
[music continues]

396
00:19:52,500 --> 00:19:53,709
[music ends]

397
00:19:58,291 --> 00:20:00,917
Let's see, Arthur,
throw me down the slope.

398
00:20:01,834 --> 00:20:03,916
And with impulse, just in case.

399
00:20:03,917 --> 00:20:05,500
[intense music]

400
00:20:08,834 --> 00:20:10,041
There I go.

401
00:20:24,709 --> 00:20:26,291
[music continues]

402
00:20:32,792 --> 00:20:34,083
[music ends]

403
00:20:41,166 --> 00:20:42,332
What is that?

404
00:20:42,333 --> 00:20:43,541
It's my resignation.

405
00:20:43,542 --> 00:20:44,667
Raúl: Why?

406
00:20:44,959 --> 00:20:46,166
Because of what happened between us?

407
00:20:46,875 --> 00:20:48,250
No, that's not why.

408
00:20:48,542 --> 00:20:50,250
My husband doesn't know
I work here.

409
00:20:51,375 --> 00:20:52,999
Think I'm going
to embroidery classes.

410
00:20:53,000 --> 00:20:55,290
Well then, to
Better if you talk to him,

411
00:20:55,291 --> 00:20:56,417
Well, it can be solved.

412
00:20:56,542 --> 00:20:59,041
My husband doesn't want me to work.

413
00:21:00,041 --> 00:21:01,833
and the editor
from Panchita magazine

414
00:21:01,834 --> 00:21:03,708
is threatening me
by telling you that I work here,

415
00:21:03,709 --> 00:21:04,834
and that...

416
00:21:06,375 --> 00:21:10,583
[hesitates] You and I have
a close relationship.

417
00:21:11,208 --> 00:21:12,583
But how does he know your name?

418
00:21:13,125 --> 00:21:14,542
You signed with a pseudonym.

419
00:21:14,667 --> 00:21:15,917
[music]

420
00:21:16,625 --> 00:21:18,875
Look, Martha, in this
middle and in the world

421
00:21:19,375 --> 00:21:21,290
you are going to find
with thousands of obstacles

422
00:21:21,291 --> 00:21:22,583
to achieve what you want.

423
00:21:22,709 --> 00:21:24,165
Don't fall for blackmail.

424
00:21:24,166 --> 00:21:25,833
No, I wasn't playing.

425
00:21:25,834 --> 00:21:27,541
He meant his threat very seriously.

426
00:21:27,542 --> 00:21:29,250
I know how to recognize a good pen,

427
00:21:29,375 --> 00:21:30,500
and there aren't many.

428
00:21:31,250 --> 00:21:32,625
So for him
good of this magazine,

429
00:21:32,750 --> 00:21:33,917
I cannot accept your resignation.

430
00:21:35,458 --> 00:21:36,666
Maybe I can get

431
00:21:36,667 --> 00:21:38,666
that they approve us
a fixed column,

432
00:21:38,667 --> 00:21:40,041
for you to write it.

433
00:21:40,583 --> 00:21:43,041
You can choose the theme
and sign with your name.

434
00:21:45,500 --> 00:21:46,792
[music ends]

435
00:21:51,542 --> 00:21:54,166
Obviously no one else dared
to jump after me,

436
00:21:54,542 --> 00:21:56,166
so I have the record.

437
00:21:56,583 --> 00:21:57,999
Well yes, my love,

438
00:21:58,000 --> 00:21:59,667
but you have to
be more careful.

439
00:22:00,417 --> 00:22:01,792
what would have happened
if instead of the arm,

440
00:22:01,917 --> 00:22:02,999
Do you break your neck?

441
00:22:03,000 --> 00:22:04,250
But daughter,

442
00:22:04,583 --> 00:22:05,750
What happened?

443
00:22:08,500 --> 00:22:09,500
What happened?

444
00:22:09,625 --> 00:22:10,541
Andrew, what happened?

445
00:22:10,542 --> 00:22:11,708
You have to take her to the doctor.

446
00:22:11,709 --> 00:22:13,667
Andrés: Pa, that's where it comes from,
Don't you see the plaster?

447
00:22:13,792 --> 00:22:16,750
Matilde took her after
Arturito's mother brought it.

448
00:22:17,834 --> 00:22:19,207
Well, where is Consuelo?

449
00:22:19,208 --> 00:22:21,000
Where is the
lady of this house?

450
00:22:21,125 --> 00:22:23,625
When did the mother of this creature
something like that happens? Where is?

451
00:22:23,750 --> 00:22:25,040
[music]

452
00:22:25,041 --> 00:22:27,040
Matilde, please call her,

453
00:22:27,041 --> 00:22:29,125
This is serious, come on.

454
00:22:30,625 --> 00:22:31,917
Don't worry.

455
00:22:36,000 --> 00:22:37,290
Andrés: Do you want to play?

456
00:22:37,291 --> 00:22:39,500
Ceci: That's the only way I can
play mummy

457
00:22:39,625 --> 00:22:41,166
Andrew:
And I was trying to help you.

458
00:22:42,834 --> 00:22:44,166
[music continues]

459
00:22:44,291 --> 00:22:46,917
I never imagined that so many women
would attend the conference.

460
00:22:47,333 --> 00:22:50,000
Of course, they don't know
nothing about his own body,

461
00:22:50,125 --> 00:22:51,667
much less
What is an orgasm?

462
00:22:53,333 --> 00:22:55,582
Do you know that almost
none of my patients

463
00:22:55,583 --> 00:22:57,041
Have you ever felt an orgasm?

464
00:22:57,375 --> 00:22:58,500
Oh yeah?

465
00:22:59,250 --> 00:23:01,250
Tell me about those
statistics please.

466
00:23:07,166 --> 00:23:09,666
What if you give a talk,
of female anatomy?

467
00:23:09,667 --> 00:23:11,208
How do you think?
I don't even come prepared.

468
00:23:11,333 --> 00:23:12,500
Come on, say yes, please.

469
00:23:12,625 --> 00:23:13,709
It would be great.

470
00:23:14,000 --> 00:23:15,124
It doesn't have to be anything elaborate,

471
00:23:15,125 --> 00:23:16,917
something simple, nothing more
to close the event.

472
00:23:17,375 --> 00:23:19,041
If you want, I can
help review.

473
00:23:19,667 --> 00:23:20,791
Oh yeah?

474
00:23:20,792 --> 00:23:22,208
And how are you going to help me?

475
00:23:22,333 --> 00:23:24,875
I don't know, we can talk
and talk and talk...

476
00:23:25,000 --> 00:23:26,833
Oh yes, are we going to talk a lot?

477
00:23:26,834 --> 00:23:27,917
A lot?

478
00:23:28,041 --> 00:23:29,124
[Consuelo nods]

479
00:23:29,125 --> 00:23:30,250
And what are you going to talk to me about?

480
00:23:30,375 --> 00:23:33,290
I don't know,
we can talk and talk...

481
00:23:33,291 --> 00:23:34,500
Fernando: You taste like chilaquiles.

482
00:23:34,792 --> 00:23:36,208
Consuelo: Why should it be?

483
00:23:37,709 --> 00:23:39,041
[music ends]

484
00:23:40,709 --> 00:23:42,000
[whispers] Lucrecia: Olga.

485
00:23:49,500 --> 00:23:50,625
[comic music]

486
00:23:55,375 --> 00:23:57,041
put this on
to cover the memory

487
00:23:57,166 --> 00:23:58,625
that you wear on your neck.

488
00:23:59,208 --> 00:24:01,583
It's not what you're thinking.

489
00:24:08,083 --> 00:24:10,083
It seems that the night
It was intense.

490
00:24:10,792 --> 00:24:12,208
I want details, huh?

491
00:24:13,250 --> 00:24:14,708
All the details.

492
00:24:14,709 --> 00:24:16,291
And where is Consuelo?

493
00:24:16,417 --> 00:24:18,291
don't tell me
that she fell asleep.

494
00:24:18,417 --> 00:24:20,166
Asleep I don't know, accompanied yes.

495
00:24:20,875 --> 00:24:22,959
That?
Just as you hear.

496
00:24:26,125 --> 00:24:27,500
[music continues]

497
00:24:32,917 --> 00:24:35,458
You know, I was thinking
about the washing machine.

498
00:24:36,375 --> 00:24:38,625
Yes, above all, all
the logistics involved.

499
00:24:38,750 --> 00:24:40,125
It's not easy.
Isn't it easy?

500
00:24:40,959 --> 00:24:42,208
We can simplify.

501
00:24:42,583 --> 00:24:43,959
What good ideas.

502
00:24:50,750 --> 00:24:52,166
[music ends]

503
00:24:53,291 --> 00:24:54,959
Until very recently...

504
00:24:55,750 --> 00:24:57,291
Can't hear!

505
00:24:58,500 --> 00:25:00,625
[louder] Olga: What?
until very recently,

506
00:25:01,458 --> 00:25:03,417
I believed that the...

507
00:25:04,083 --> 00:25:07,333
orgasm legend
It was just that,

508
00:25:07,458 --> 00:25:08,542
a legend.

509
00:25:09,500 --> 00:25:12,917
But when Joaquín,
rest in peace...

510
00:25:13,875 --> 00:25:15,125
When...

511
00:25:15,667 --> 00:25:17,041
Since I started...

512
00:25:18,500 --> 00:25:19,708
With the...

513
00:25:19,709 --> 00:25:21,582
But since he had one,

514
00:25:21,583 --> 00:25:24,000
Believe me, you already know it exists.

515
00:25:24,125 --> 00:25:25,166
[laughs]

516
00:25:27,792 --> 00:25:29,417
Olga: The truth is that yes.

517
00:25:30,041 --> 00:25:31,166
[laughs]

518
00:25:31,291 --> 00:25:34,083
Lucrecia: And although it is better
feel it than study it,

519
00:25:34,792 --> 00:25:37,041
today we have as a guest
to a doctor

520
00:25:37,166 --> 00:25:39,250
who comes to talk to us
of the female orgasm.

521
00:25:39,917 --> 00:25:42,125
And how important it is
know our body.

522
00:25:43,083 --> 00:25:45,709
With you the doctor
Fernando Palomares.

523
00:25:48,542 --> 00:25:49,750
[tense music]

524
00:25:51,542 --> 00:25:53,375
Fernando: Thank you, thank you.

525
00:25:55,834 --> 00:25:58,082
Very good morning,
ladies, ladies,

526
00:25:58,083 --> 00:25:59,792
how are they found
today?

527
00:26:01,166 --> 00:26:04,375
Well I know this is a
topic that is little talked about,

528
00:26:04,500 --> 00:26:06,457
however, what
I always recommend

529
00:26:06,458 --> 00:26:08,875
is that it is seen from the
most natural way possible.

530
00:26:09,000 --> 00:26:11,083
Consolation:
What the hell are you doing here?

531
00:26:11,959 --> 00:26:13,582
Carlos Julio: I came to
inform you that Cecilia,

532
00:26:13,583 --> 00:26:15,457
Your daughter had an accident.

533
00:26:15,458 --> 00:26:16,999
That?
A double whiskey.

534
00:26:17,000 --> 00:26:18,792
Alright? What happened to him?

535
00:26:19,667 --> 00:26:20,709
It's in the house.

536
00:26:21,333 --> 00:26:23,000
Broke an arm
playing in the street.

537
00:26:23,667 --> 00:26:25,750
Matilde had to take her
to the hospital, because of course,

538
00:26:25,875 --> 00:26:28,417
like his mom has things
most important things to do

539
00:26:28,542 --> 00:26:30,375
to be in your
home with his children.

540
00:26:30,500 --> 00:26:31,583
[tense music continues]

541
00:26:31,709 --> 00:26:32,917
I'm going to call him.

542
00:26:33,250 --> 00:26:34,250
No.

543
00:26:35,208 --> 00:26:38,000
First, we talk, then,
You call her and we go home.

544
00:26:39,542 --> 00:26:40,625
A drink.

545
00:26:41,375 --> 00:26:42,667
Tell me something,

546
00:26:43,583 --> 00:26:45,250
do you really believe
that you are going to win me

547
00:26:45,375 --> 00:26:47,417
with a conference
of repressed spinsters?

548
00:26:47,542 --> 00:26:48,583
For God's sake.

549
00:26:48,917 --> 00:26:50,833
How nice you speak
of your clients.

550
00:26:50,834 --> 00:26:51,958
[music continues]

551
00:26:51,959 --> 00:26:53,958
Was that why you came alone

552
00:26:53,959 --> 00:26:55,667
to spend the weekend?

553
00:26:58,000 --> 00:26:59,375
What other reason would there be?

554
00:27:03,375 --> 00:27:04,417
Other.

555
00:27:05,917 --> 00:27:07,541
What happened to him
Cecilia is your fault.

556
00:27:07,542 --> 00:27:09,374
A woman has
than being at home,

557
00:27:09,375 --> 00:27:10,541
not in conferences.

558
00:27:10,542 --> 00:27:12,458
Consuelo, are you
aware of the damage

559
00:27:12,583 --> 00:27:13,959
what are you doing
causing in the family

560
00:27:14,083 --> 00:27:15,125
with the decisions you make?

561
00:27:15,250 --> 00:27:16,874
Now, a question,

562
00:27:16,875 --> 00:27:18,291
where were you

563
00:27:18,417 --> 00:27:20,125
when Matilde had to
take Cecilia to the hospital?

564
00:27:20,250 --> 00:27:21,417
[music continues]

565
00:27:21,959 --> 00:27:23,374
Working, where else?

566
00:27:23,375 --> 00:27:26,083
Ah well me too
I'm working

567
00:27:26,500 --> 00:27:28,207
and in no way
I'm going to apologize

568
00:27:28,208 --> 00:27:30,083
for doing it and neither

569
00:27:30,208 --> 00:27:32,500
I'm going to let you manipulate me
to make me feel bad.

570
00:27:33,250 --> 00:27:35,666
That Consuelo no longer exists.

571
00:27:35,667 --> 00:27:37,291
[music increases]

572
00:27:42,458 --> 00:27:43,625
I'm going to get my things.

573
00:27:45,333 --> 00:27:46,667
[music ends]

574
00:27:47,208 --> 00:27:49,249
receptionist:
Ready, Mr. Fernando Palomares.

575
00:27:49,250 --> 00:27:51,041
Do you cancel me
in cash or card?

576
00:27:52,792 --> 00:27:53,875
What's happening?

577
00:27:54,458 --> 00:27:55,749
Won't you say goodbye

578
00:27:55,750 --> 00:27:57,625
from your special guest
to the conference?

579
00:27:58,917 --> 00:28:01,541
Then I will have time to
thank you for your talk,

580
00:28:01,542 --> 00:28:02,791
but right now the only thing
What do I care?

581
00:28:02,792 --> 00:28:04,041
It's going back to see my daughter.

582
00:28:24,500 --> 00:28:25,625
[sounds in the distance]

583
00:28:29,041 --> 00:28:30,417
[tension music]

584
00:28:39,208 --> 00:28:40,417
Fernando: Theresa!

585
00:28:41,667 --> 00:28:42,709
[speaks in English]

586
00:28:44,125 --> 00:28:45,583
Excuse me for coming like this.

587
00:28:47,125 --> 00:28:48,333
[music continues]

588
00:28:50,291 --> 00:28:51,542
I needed to see you.

589
00:28:59,834 --> 00:29:00,958
[music ends]

590
00:29:00,959 --> 00:29:03,709
["Your Lack of Wanting" begins]

591
00:29:23,917 --> 00:29:26,041
Today I came back

592
00:29:26,333 --> 00:29:28,750
To sleep in our bed

593
00:29:28,875 --> 00:29:31,458
And everything remains the same

594
00:29:31,959 --> 00:29:34,291
The air and our cats

595
00:29:34,542 --> 00:29:37,000
nothing will change

596
00:29:37,583 --> 00:29:39,709
hard to forget you

597
00:29:39,834 --> 00:29:41,834
being here

598
00:29:42,875 --> 00:29:44,542
Oh oh oh

599
00:29:45,792 --> 00:29:48,083
I want to see you

600
00:29:48,625 --> 00:29:50,749
I still love you and believe

601
00:29:50,750 --> 00:29:53,417
That even more than yesterday

602
00:29:54,250 --> 00:29:56,541
poison ivy

603
00:29:56,542 --> 00:29:59,208
Doesn't let you see

604
00:29:59,750 --> 00:30:02,082
I feel mutilated

605
00:30:02,083 --> 00:30:04,542
and so small

606
00:30:05,083 --> 00:30:06,458
Oh oh oh

607
00:30:08,208 --> 00:30:11,250
Come

608
00:30:11,750 --> 00:30:14,249
How was it

609
00:30:14,250 --> 00:30:18,750
That you stopped loving me?

610
00:30:19,250 --> 00:30:24,291
I could still endure

611
00:30:25,375 --> 00:30:29,458
You so lack of love

612
00:30:35,625 --> 00:30:37,375
["Your Lack of Wanting" ends]